Monday, February 22, 2021

Arriving Late to the Alice in Borderland Party

For the first time ever, since January 2021, I've been a Netflix subscriber. Although I've discussed Netflix shows on here before, this new Netflixing is special because I have a treadmill, I use it a lot, and it's made me way too tired to discuss Netflix shows on this blog with any regularity.

Alice in Borderland just needs to be discussed, though. I watched four episodes of Season 1 on back-to-back days, marking a punishing three hours per day of treadmill.

If you're unfamiliar with the show, this trailer should give you an idea of what it's all about:



Arisu and friends find themselves in a mostly abandoned, dystopian vision of modern Tokyo. In order to extend their visas, they have to play - and win - potentially fatal games based on the draw of a card. Number is difficulty, as well as the number of days the visa is extended for all winners. Suit is the type of game: spades is a physical challenge, clubs is a team game, diamonds is a battle of wits, and hearts are games that pit the players against each other. It's The Running Man meets Saw.

Awesome show. Why discuss it now specifically, though?

I've read a lot of reviews, yet not once have I seen these discussion points: (quasi-spoilers, I suppose?)

  1. Part of what makes Alice in Borderland so great is the one game per episode format. When the 10 of hearts game extends over the last three episodes, the show drags.
  2. We need more diamonds! Only one diamond game came up, and it only lasted a couple minutes because most of Episode 5 is an explanation of the beach. Diamonds should theoretically be the most fun suit to watch.
  3. The two hearts games are the only two games Arisu plays that are a 7 or higher, whereas all the other suits are only ever seen at a 5 or lower. (We never see a 6.) It would have been fascinating to see, say, a really difficult physical challenge. I presume we'll see this as one of the face cards in Season 2.
  4. Dead or Alive may actually be the most difficult game. It's the only one that can be failed by all the participants so quickly and violently. I had to go back over it in a way I didn't with the other games. Arisu's spatial sense, awareness and quick thinking that'll keep him alive really shine in this one, which is fitting for the first episode.
  5. Tag combines some of everything, despite being the only spades game so far: teamwork, physicality, the ability to betray people, and the need to solve a puzzle. It also introduces at least two recurring characters.
  6. The botanical garden game is so full of red herrings I love it. Various online theories of how to save everyone aside, I really liked the "sheep chasing a wolf" angle, as well as the comically mismatched weapons that don't seem to have a purpose other than to make the players into worse people. Well, it is a hearts game...
  7. The bus game is such a knee-slapper, which I don't like because it doesn't show Arisu at his best. I get that he was rattled by the aftermath of the botanical garden game, and that no one's perfect, but surely looking at the outside of the bus could have been foreseen.
  8. Spoiler alert: I had always wanted to write a murder mystery that was actually a suicide, but never had the rest of the plot. Thanks, Alice in Borderland, for taking this story off my hands.
  9. Alice in Borderland is just asking for fan fiction. Make your own games! Not to mention it'd be really easy to introduce a new character, as people pop up every so often.
  10. Netflix has gone really international recently. In addition to Alice in Borderland, I've also seen other overseas productions recently, such as Nobody Sleeps in the Woods Tonight (Poland) and Mortal Engines (New Zealand). Also of note: RokuTV is going international too, including my recent watchings of Attack the Block (United Kingdom) and Metropolis (Germany).
On a less serious note, how was Stacey Q's "Two of Hearts" not on the soundtrack?



Sunday, February 21, 2021

Bonus Book! The Comanche Empire

The Comanche Empire by Pekka Hämäläinen
History (2008 - 361 pp.)

The Comanche Empire was published the year I started my final year of my Bachelor of Arts in history and English. I don't usually open these entries by discussing myself, so here's why: one of my capstone history courses was a full-year seminar consisting of a book each week in the fall, culminating in a literature review, before an article-length paper in the winter. The course title? Europe and the Overseas World. Reading The Comanche Empire, I felt like I was back in Joyce Lorimer's class. Oh, how the time goes...

Pekka Hämäläinen's argument begins with a trend that was finding its way into mainstream historiography during the first decade of the 21st century: "Moving beyond conventional top-down narratives that depict Indians as bit players in imperial struggles or tragic victims of colonial expansion, today's scholarship portrays them as full-fledged historical actors who played a formative role in the making of early America." (6) I fully agree with this statement, for good (the Comanches' culture is worth commemorating) and for bad (the Comanches were notorious slave traders). The book spans the hundred years from the Spanish colonial era, to the newly independent Mexico, up to the Mexican-American War and the US Civil War, making it simultaneously a bible and a difficult read. From the slave fairs in Taos from 1742-1752, to the Comanches' early military disasters, (42-47) the Comanches would emerge stronger than ever, eventually holding a loose hegemony over what is now Texas and New Mexico.

As the eighteenth century advanced, Comancheria became more integrated with European colonial societies. The Comanches traded with Spain, France (Louisiana) and British West Florida, at times possessing greater economic and military resources than entire provinces of New Spain. (72) A Spanish governor of Texas was in shock at the Comanches' ability to acquire British and French horses, guns, and other items:
Domingo Cabello y Robles, governor of Texas, reported in the 1780s that western Comanches sold guns, powder, balls, lances, cloth, pans, and large knives to their eastern neighbors on the Texas plains, who in turn supplied western Comanches with horses and mules, some of which were then traded to Wichitas, Pawnees, Cheyennes, Kiowas, Kansas, and Iowas. Moreover, in a reversal of the typical roles of colonial trade, western Comanches started to sell guns and other manufactures to Spanish New Mexico. (73)
The Comanches' early alliance with the Utes helped them vanquish the rival Apaches. The other nations mentioned above turned into crucial trading partners, forming the linchpins of an indigenous international relations system in some ways comparable to the long-distance game being played by the European powers. The "open field" in the American West, nominally Spanish and then Mexican but falling increasingly into Comanche hands, saw the ascent of the Comanche Empire in c. 1793. (140)

The Comanches were rarely victims, most often firmly in control of their destinies, much to the chagrin of the nascent Mexican state. Historical maps can deceive, because they do not always show effective control; Pekka points out that the nominally massive newly independent Mexico was so unable to stop Comanche raids that the Comanches wrecked the Mexican economy. When Mexico attempted to have Americans settle Texas and New Mexico, Stephen F. Austin complained to the Mexican government that peace with the Comanches was impossible because the norteamericano settlements were undefended and easily raided for heir horses. (194) By the time of the Mexican-American War, American soldiers frequently remarked that the Mexican lands they proceeded through were desolate. Many of those soldiers followed Comanche guides.

The Comanches' decline went hand in hand with the settling of the American West by more permanent, less nomadic settlers. Comanches followed bison, rode horses, and generally did not farm as much as their American counterparts. The tributary Spanish and Mexicans were replaced by farms: "But by the 1820s, the traditional raiding domains had become either exhausted or unavailable. Decades of on-and-off pillaging had wrecked the pastoral economy of Texas, whereas New Mexico, the site of intense raiding in the 1760s and 1770s, had attached itself to Comancheria through a tribute relationship." (223) 

The Comanche Empire was as multifaceted as any other. It was political (chieftains), geographic (nomadic, fuzzy borders), faunal (extremely horse-based since their first acquisition of horses from the Spanish), economic (trade relations with sedentary nations, e.g.: Apaches, and with various colonial powers), and social (importance of rituals). It was a lot of information to take in for someone who didn't have a background in the field. Luckily, I knew enough general American history to be able to become conversant quickly. I also had the skills I needed, from my undergraduate seminar courses, to be able to absorb unfamiliar material.

The Comanche Empire won Columbia University's prestigious Bancroft Prize in 2009. As an Ivy  League alumnus who lives part-time near Bancroft, Ontario, I couldn't help but smile.

Ease of Reading: 4
Educational Content: 10

Sunday, February 14, 2021

February's Book: The Great Unknown

The Great Unknown by Marcus du Sautoy
Math/Physics (2016 - 428 pp.)

"How puzzling all these changes are! I'm never sure what I'm going to be, from minute to another." -Lewis Carroll, Alice's Adventures in Wonderland* (153)

In The Great Unknown, Oxford University mathematics professor Marcus du Sautoy outlines seven of the greatest questions in math and science that may never be solved. Between his introduction and his conclusion, there are seven "edges" of our current scientific understanding: Chaos, Matter, Quantum Physics, The Universe, Time, Consciousness, Infinity. The seven edges overlap in some of the scientists named,** as well as in framing devices used (such as du Sautoy's trusty red casino dice), but each tackles the boundaries of a different question as it has advanced through the history of scientific research. Du Sautoy readily admits his own blind spots, as must we all; in the introduction, he states that "I must admit that the arrogance of youth infused me with the belief that I could understand all that was known...", but then, as he has grown older, "Time is running out to know it all." (7) As someone almost a decade removed from my master's degree, I identify with that feeling.

Much of "Chaos" considers the early modern giants of math. Girolamo Cardano, a noted Lombardian mathematician of the 16th century, was "an inveterate gambler" (24) who spent much of his time devising strategies to win at dice games,*** (with mixed results, much to his family's chagrin) before correctly predicting his death date, in quasi-Machine of Death style. The origin of Pascal's triangle as a betting aid is less of a surprise when viewed through this lens, as its original application was to decide how a pot should be divided when the problem of points is incomplete; (28) in an inspired moment during 11th-grade math, I invented Gordon's Triangle, which provides far less insight.

Rows 0-7 of Pascal's Triangle, from Wikipedia. Note that each number is the sum of the two numbers directly above it.

In "Matter", the world's atomic, and even subatomic, building blocks comes to life, whizzing around and through each other with such startling speed we don't even notice them. Du Sautoy explains the development of particle theory, from 19th-century descriptions of atoms, followed by subsequent understandings of what makes atoms heavier than others (protons, neutrons), what orbits them (electrons), and what all of those are made of (quarks). Dmitri Mendeleev's part-discovery, part-invention of the periodic table (87) figures large here, including the use of octave theory to explain why elements repeat each other every eight atomic numbers, a recurring trend in The Great Unknown: what fills the gaps? Just as irrational numbers fill gaps between rational numbers, as in the case of the square root of 2, Mendeleev's discovery of the absence of an element with an atomic number of 31 inspired the later discovery of gallium. I have to disagree with du Sautoy's cello/trumpet metaphor to explain the duelling schools of thought regarding whether matter is continuous, like a cello's glissando, or discrete, like a trumpet's staccato. (119) As a classical and jazz trained trumpet player, I have played series of notes lasting 4+ bars when I tongued only two or three notes, despite playing entire scales at various volumes.

In "Quantum Physics", du Sautoy delves into realms that intimidate the average reader but are full of charming stories here. During Albert Einstein's annus mirabilis of 1905, he conducted significant amounts of work on photons; this, not the theory of relativity, would be the subject of his 1921 Nobel Prize. The question of whether light moves in waves or in quasi-particles stumped scientists until then. Du Sautoy makes the colourful analogy that waves would be like a series of taps on the shoulder, each incapable of knocking down the recipient, whereas a particle would be like one good push. (133-135) Oddly, a scientifically inclined friend brought this up during elementary school by asking me on the school bus one day, "would you rather receive a million taps on the shoulder or receive one huge tap with all the force of them combined?" I thought it was a silly question while having no idea he was (unintentionally?) quoting Einstein.

In "The Universe", du Sautoy educates the reader on all manners of cosmological bodies, including the fascinating observation that stars appear to be different colours and brightnesses depending on their distances. Measuring between them therefore requires a combination of trigonometry and colour theory - score one for art class? The 1915 sighting of Proxima Centauri, the closest star to our own, by Scottish astronomer Robert Innes, (192) is one of my favourite discoveries; he had the same name as one of my friends. Fittingly, beyond this edge, "Time", "Consciousness" and "Infinity" start collapsing into themselves...

Illustrations abound in The Great Unknown. Two of my favourites are ones that were either familiar to me in concept, or familiar to me as in I had seen that exact illustration before. The latter is when du Sautoy shows the mathematical underpinning of human existence via the xkcd comic "Purity", (332) which surely connects with the Millennial crowd (full disclosure: I am a Millennial). The former is when du Sautoy demonstrates the limitation of Euclidean geometry to flat plane. Those of us who have studied any level of math take for granted that the sum of a triangle's angles is 180 degrees, but this axiom no longer holds true when the measurements take place on a curved surface. The best example of all is when a triangle is drawn on a sphere. (381) The ability to draw line segments and polygons on a sphere is crucial to navigation, flight paths, and nearly anything involving the curvature of Earth. This seemingly obtusely abstract concept is so obviously applicable to everyday life it is a testament to scientific education.

Back to dice: in the conclusion, du Sautoy mentions that there is a finite number of six-sided dice in his house, between his casino dice, his Monopoly set, and wherever else there might be dice, including stuck in the couch. He mentions that he does not know whether there is an odd or even number of dice, although he could find out if he wanted to count them. (418-419) This scenario made me reflect on du Sautoy's earlier observation of what might happen if he rolled a die (or threw magazines) into a black hole, beyond the event horizon, so that its result would be completely unknowable to him. (282) What if, as in the black hole example of the particles bouncing off the event horizon containing some aspect of the die, du Sautoy took his real-life dice and ground them into dust? Reassembling the particles would be practically impossible, and measuring dice powder on a scale could be defeated simply by wetting the dice into a sort of dice sludge, so... could du Sautoy theoretically know how many dice he has then?

The one thing I would have liked to see more of in The Great Unknown is a one-paragraph definition of the Riemann hypothesis and the PORC conjecture, two unsolved mathematical problems du Sautoy hints at many times near the end of the book but never explores. While I understand they are more useful as stand-ins than as illustrations of the book's ideas, their sheer complexity would have benefited from the book's clear, accessible language.

The world during, and since, The Great Unknown's release in 2016 contains themes present in the book. When du Sautoy frames the relationship between acceleration, gravity and time by using a thought experiment that sends one of his twin daughters into space at near-lightspeed while the other stays on Earth: "Ina returns younger because she has to accelerate to get to her constant speed." (264) This is an almost exact telling of the 2014 science fiction movie Interstellar, in which a father engages on a potentially Earth-saving interstellar mission while his daughter stays home; later in the movie, they are the same age. (Warning: movie spoiler!) The movie was released the year before the book's publication, making me wonder if du Sautoy read it while writing. Even more recently, Isaac Newton's isolation during the Great Plague of 1665,**** at age 22, marked the moment when many of his theories' seeds were planted in his head. (32) As someone currently in a jurisdiction with an emergency order due to COVID-19, but who hasn't felt particularly brilliant for much of that time... I hope someone's working on zeta functions as I write this.

Lastly, there's a great deal of material on scientists' and philosophers' beliefs in God, or lack thereof. How would God construct a black hole? Has God planned out the past, present and future, or does he "reset his watch" at certain intervals? All I have to say to these math plus science plus God questions is what The Great Unknown reminds us of our infinitesimal selves all the time: I don't know, and you don't either.

Ease of Reading: 5
Educational Content: 8






*In 18th-century novel style, du Sautoy opens each edge (chapter) with a quotation from some scientific or literary figure who has influenced our understanding of the unknown. Who better than Lewis Carroll, who wrote the most famous fiction book ever that was about abstract math? (I've blogged about Alice on here not once, but twice. No, not the heavy metal Alice.)

**For example, Albert Einstein is mentioned during the third edge for his work on photonics, and the fifth edge for his theory of general relativity.

***This Columbia University article contains a probability chart of rolling a total of 9-12 with three dice on page 5, Table 1. A similar chart appears in The Great Unknown at page 25.

****The Great Plague of 1665 differs from our present conundrum in that it was an outbreak of bubonic plague, the same bacterium that caused the Black Death and subsequent outbreaks. That said, there was an October 2020 news report using the bubonic plague as a case study, and a teenage Mongolian boy died of bubonic plague last July.